She both plays whatever roles their latest production requires and wields a knife against anyone who might be a threat to her or her friends, including a creepy, bearded admirer ( Daniel Zovatto) whose story of how he came to be wandering the Michigan woods doesn't quite check out. It's only in the episode's final moments that we meet the grown-up Kirsten ( Mackenzie Davis) who, twenty years later, has become a key member of the Traveling Symphony. Warned by his sister, a doctor, to take shelter, and unable to locate Kirsten's parents, Jeevan loads up on groceries and holes up in the skyscraper apartment of their reclusive brother Frank ( Nabhaan Rizwan). As the two make their way back to Kirsten's house, Jeevan starts to recognize that the world is falling apart. He can, however, take care of Kirsten (played as a child by Matilda Lawler in a terrific performance), an eight-year-old actor who doesn't have a way to get home. ![]() Leaping onto the stage, Jeevan finds his instincts are correct and also that there's really nothing he can do for Arthur. In the first we meet Jeevan ( Himesh Patel), a Chicagoan who, while attending a performance of King Lear, recognizes that Arthur Leander ( Gael GarcĂa Bernal), a movie star searching for artistic satisfaction via performing Shakespeare, seems to be having a heart attack. They share overlapping events and a constant tone but the first three installments almost seem like they could come from different series. The first three episodes debut simultaneously on HBO Max on December 16th, and while streaming services' release strategies sometimes don't seem to have a lot of logic behind them, this one makes sense. The Best TV Shows and Movies on HBO and HBO Max in December They'll also recognize the novel's generous spirit, even though Somerville's adaptation freely expands on and alters much of the plot while keeping the emphasis on how art and relationships (and relationships forged around art) make life worth living even amidst the ruins. ![]() John Mandel novel on which the series is based will recognize those as words (borrowed, with attribution, from an episode of Star Trek: Voyager) that recur throughout the book. Their vehicles include a wagon with the words "Survival is Insufficient" written on the side, which could double as the series' theme. Much of the 10-part miniseries, created by Patrick Somerville (a novelist whose TV work includes Maniac and Made for Love), concerns the Traveling Symphony, a troupe of actors and musicians who, post pandemic, tour what's left of civilization in Michigan performing Shakespeare. Hopping around a timeline that covers the years leading up to the arrival of a pandemic that wipes out all but a sliver of the Earth's population and the decades that follow, it's less a story about the end of the world or post-apocalyptic existence and more about what happens in the spaces between crises, as well as the moments of connection created by people living through the worst history has to offer and still finding reasons to carry on - and ultimately doing more than carry on. ![]() HBO Max's new sci-fi miniseries Station Eleven features some of the most terrifying imagery you'll see this (or any) year, but it's not really about doom and despair. ![]() Mackenzie Davis, Station Eleven Ian Watson/HBO Max
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